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Focus Mode opens a single clip for detailed editing — the Piano Roll for MIDI, slice playback for audio, and a curve editor for Automation. This page lists its keyboard and mouse shortcuts.

Entry & exit

Double-click a clip to enter Focus Mode for detailed editing:
If the clip picker is open, Escape closes it first and a second press exits Focus Mode.

Clip mode

Automation clips carry a two-segment mode switch in the focus bar. The number keys reach both segments:
These two keys belong to the inspector tabs — Tracks and Browser — everywhere else, and take on the mode switch only while an Automation clip is in Focus Mode. MIDI and audio clips have no mode switch, so they leave the keys alone. Both tabs stay one Escape away, and the Command Palette (⌘K) reaches them without leaving Focus Mode.

MIDI (Piano Roll)

The Piano Roll uses the same modifier conventions as the main timeline, but applied to MIDI notes instead of clips.

Modifier mapping

The same modifier hierarchy applies, but to notes instead of clips. What is marked decides what the bare arrows act on: with notes marked they move those notes, and with nothing marked they move the cursor. The vertical arrows part company. A clip is bound to its track, so / do nothing at all on the timeline while clips are marked; a note is free in pitch, so they transpose it.

Note navigation

Horizontal (←/→)

Vertical (↑/↓)

Fn↑ / Fn↓ (Page Up / Page Down) only transpose in the MIDI piano roll, and only when notes or a marquee region are marked. They move by ±12 semitones, clamp pitches to the MIDI range 0...127, and participate in undo. With nothing marked the same keys stay the musical-typing octave. on its own carries no meaning anywhere in this scheme, which is why length needs ⌃⌘. macOS claims ⌃← / ⌃→ for Mission Control’s move one space and ⌃↑ / ⌃↓ for Mission Control and App Windows, and takes them before Gridshift is asked.

Note editing (keyboard)

Note editing (mouse)

Creating notes and marking them

Two boxes, two things markedA plain drag marks a region: it snaps to the grid and to the note rows, it stays on screen when you let go, and the commands act on the span — ⌘D stamps it onto the next region, ⌘E splits at its edges, Backspace carves it out, and the arrow keys move it.-drag marks notes: the box lands exactly where you drag it, snapping to nothing, and it takes every note it covers even if it covers only part of one. It disappears when you let go, leaving the notes marked. Every sweep starts fresh — the moment the box starts moving it releases whatever stood marked, however it got marked, and then writes only what it covers. To add a single note to what is already marked, -click that note.
Brush modeHold to enter brush mode. A ghost note appears under your cursor showing where the note will be placed. Click to create, or drag to set the note’s duration.

Musical Typing & slices

Letter keys play MIDI notes or trigger audio slices without any modifier. See the dedicated Musical Typing page for full keyboard layouts (Scale / Piano / Drums / Follow) and slice triggering.

Slice definition

Each slice starts at a transient marker, so N markers give N slices:
  • Slice 0: From the first transient to the second
  • Slice 1: From the second transient to the third
  • Last slice: From the last transient to the clip end
Audio before the first transient is not a playable slice.
Slices are defined by transient markers. Transient detection and marker editing live in the Sample Editor (⌥X). Use ⇧⌘E on the main timeline to split a clip at all transients, creating separate clips from each slice.

Splitting at transients

This creates individual clips from each slice, useful for rearranging drum hits or creating variations.

Automation (curves)

The Automation Focus Mode uses the same modifier hierarchy for editing automation points on parameter curves.

Point navigation

When you reach the last point in a clip, pressing ⌘→ jumps to the first point of the next automation clip. Similarly, ⌘← at the first point jumps to the previous clip.

Cursor & marquee

With no point selected, the bare arrows are the cursor: Points within the marquee are automatically selected.

Moving points

Select a point and the same bare arrows move it instead — the rule the timeline and the piano roll follow. Escape hands the keys back to the cursor. is unbound here in either direction: it is the “change the length” key, and an automation point has no length.

Point editing (keyboard)

Point editing (mouse)

Creating points

Step recording

When Automation Focus Mode is active, recording is armed, and the transport is stopped, the number keys insert automation points directly at the cursor position: After each keystroke, the cursor advances by one grid division automatically. If a point already exists at the cursor position (within a small tolerance), it is replaced.
Non-reassignable shortcut: The 0–9 step recording keys are processed directly and are not part of the Command Palette system. They cannot be rebound: shortcuts are assigned in the Command Palette (⌘K, then ⌘S on the selected command), and these keys are not palette commands. The same applies to clip volume keys (1–9, 0 on the main timeline), audio slice playback keys, the Sample Editor’s transient / grid-offset nudge (⌘← / ⌘→, with for a single-sample step), and Musical Typing.

Grid snapping

  • Horizontal: Points snap to the current grid (same as MIDI notes)
  • Vertical: Points snap to a 32-step grid (0%, 3.125%, 6.25%, … 100%)
  • Option: Fine mode — free positioning without grid snap
Last modified on September 7, 2026